Vinyl plays with occasional light-crackles (play-graded). Cover looks great; light-scuffing, creasing and surface impressions (front/back). Inner sleeve is original (Columbia ads). Spine is easy-to-read, with mild-wear and small developing split near center. Little shelf-wear along the top-edge, more noticeable wear along bottom edge and corners. Opening is crisp with signs of light use. Red two-eye label. (Not a cut-out.)
Nashville Skyline, by Bob Dylan, displayed a complete immersion into country music. Along with the more basic lyrical themes, simple songwriting structures, and charming domestic feel, it introduced audiences to a radically new singing voice from Dylan—a soft, affected country croon. The result received a generally positive reaction from critics, and was a commercial success. Reaching number 3 in the US. By the time Nashville Skyline was recorded, the political climate in the United States had grown more polarized. In 1968, civil rights leader Martin Luther King, Jr. and Senator Robert Kennedy (a leading candidate for the presidency) were both assassinated. Riots had broken out in several major cities, including a major one surrounding the Democratic National Convention in Chicago, IL and a number of racially-motivated riots spurred by King's assassination. A new President, Richard Nixon, was sworn into office in January 1969, but the U.S. engagement in Southeast Asia, particularly the Vietnam War, would continue for several more years. Protests over a wide range of political topics became more frequent. Dylan had been a leading cultural figure, noted for his political and social commentary throughout the 1960s. Even as he moved away from topical songs, he never lost his cultural status. However, as Clinton Heylin would write about Nashville Skyline, "if Dylan was concerned about retaining a hold on the rock constituency, making albums with Johnny Cash in Nashville was tantamount to abdication in many eyes." Helped by a promotional appearance on The Johnny Cash Show on June 7, Nashville Skyline went on to become one of Dylan's best-selling albums. Three singles were pulled from the album, all of which received significant radio airplay: Lay Lady Lay (#7), I Threw It All Away (#85) and Tonight I'll Be Staying Here With You (#50).