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American Artist
Artist magazine of largest circulation. Artist profiles/interviews include multiple photos and reproductions over multiple pages, PLUS: Illustrations, technical features, columns, vintage ads and MORE --Exclusive MORE MAGAZINES detailed content description, below! Issue Date: SEPTEMBER 1974; VOLUME 38, ISSUE 386 IN THIS ISSUE:- This description copyright Edward D Peyton. Any un-authorized use of this description is strictly prohibited. FRONT COVER: Fanny Travis Cochran, by Cecilia Beaux, 1887, oil, 351/2 x 281/2. Collection Pertnsylvania Academy of the Fine Arts, gift of Miss Fanny Travis Cochran. DOMENICO GNOLI: POETRY IN LINE by Fritz Eichenberg. Domenico Gnoli (1933-1970) was a draftsman of staggering proportions. In his illustrations he conveyed a magical sense of detail and scale in line, conveying at the same time a deep feeling for humanity. R. C. GORMAN: NAVAJO IN VOGUE by Mary Carroll Nelson. Gorman is a Navajo Indian who draws from his childhood associations in an audacious and unorthodox manner. He is brazen and eccentric: his art is more an expression of himself than a depiction of Indian life. THE ELOQUENCE OF CECILIA BEAUX by Barbara Whipple. The name of this artist tends to be better known than her work. This article introduces her to our readers. Cecilia Beaux (1855--1942) was among the most prominent American painters of her day, a portraitist who captured the dignity and nobility of her subjects in paintings totally free of sentimentality. JULIO FERNANDEZ AND HIS ROGUES GALLERY by Doreen Mangan. The art of caricature was a popular form of commentary in the 19th century, an art that has barely survived in this century. Here is an artist whose sense of humor and profound drive to comment on our times have propelled him into an unusual field of work. PAUL GEORGES: THE OBJECT IS THE SUBJECT by Diane Cochrane. Georges is convinced that much of contemporary art treats the subject simply as a pictorial element in the painting. Believing that art should serve more than a decorative function, he has attempted to infuse his work with greater meaning so that his painting will serve a spiritual role. This article explores his methods of resolving this dilemma in his work. WATERCOLOR PAGE: SHELDON ROSENTHAL. Having discovered watercolor late in his career as an artist, Rosenthal approaches the medium with an unorthdox approach. He describes this approach in his text. LETTERS TO THE EDITOR. TECHNICAL PAGE by Ralph Mayer. PROFESSIONAL PAGE by Betty Chamberlain. QUICK TIPS. BULLETIN BOARD. ART BOOKS. ART MART. FOOTNOTES. This description copyright Edward D Peyton. Any un-authorized use of this description is strictly prohibited. Magazine is COMPLETE and in VERY GOOD +++ condition. (See photo)
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