TITLE: PREMIERE Magazine
[ "The MOVIE magazine" -- See FULL contents below!]
ISSUE DATE: FEBRUARY 1993; Vol. 6, No. 6
CONDITION: Standard sized magazine, Approx 10" X 12". COMPLETE and in clean, VERY GOOD condition. (See photo)

IN THIS ISSUE:
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COVER: ROBIN WILLLIAMS as GROUCHO: It's a WRAP!

THE BLUE SCREEN BY JOHN H. RICHARDSON Peter James was an idealistic young film pro-essor when he took a job with "Mad" Max Fischer, a producer who bellows like a geyser and works phones and StairMasters with the endurance of a decathlete. Now Peter is caught n a swirl of rivalry, ego, and revenge. Here's the first chapter of a serialized novel about Hollywood, commissioned by PREMIERE and due from William Morrow in spring 1994.

GAME BOY PHOTOGRAPHED BY ARTHUR GRACE Toys R Him: Rockin' Robin Williams, still glowing from the success of Aladdin, lires up this behind-the-scenes photo essay from the set of Barry Levinson's latest, Toys.

A MAN AND HIS 'TOYS' BY SUSAN LEHMAN Just how powerful is the Bard of Baltimore? When Barry Levinson played hardball with a television writer whose work was crowding his own, it was a textbook display of Hollywood clout. A more public example: the cur-rent Toys, a pet project he'd been trying to get made for fourteen years. But after Levinson's box office bonanza on Good Morning, Vietnam and an Oscar for Rain Man, his longtime co-producer, Mark Johnson, figures the director had "eamed [the] right" to play with Toys.

WE ARE STARDUST, WE ARE FROZEN BY HAROLD RAMIS Paying homage to the rodent god of weather, Punxsutawney Phil, the Groundhog Day di-rector reminisces about SCTV, Lampoon, and his 23-year friendship with Bill Murray.

DESCENT OF A MAN BY TERRI MINSKY Being a devout Methodist (actor, that is), Al Pacino was not at all intimidated by the physical necessities of playing a blind man in Scent of a Woman. Explains Pacino, "You teach your unconscious, that's all." Director Martin Brest was almost over-whelmed by his star. "His is not a soul you take lightly," says Brest. "It's like the core of a nuclear reactor.".

SPECIAL SECT1ON PREM I ERE'S 1992 WRAP PARTY Hey, is that Father Time--or just Gary Old-man in Dracula? Here's a blood-and-guts look at the hits, misses, and madness of 1992. (Back in that cell, Tom Waits!) Plus a review of the year's most influential films from our own Mr. Zeitgeist, Peter Biskind.



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