TITLE: PREMIERE Magazine
[ "The MOVIE magazine" -- See FULL contents below!]
ISSUE DATE: October 1991; Vol. 5, No. 2
CONDITION: Standard sized magazine, Approx 10" X 12". COMPLETE and in clean, VERY GOOD condition. (See photo)

IN THIS ISSUE:
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COVER: MICHELLE PFEIFFER.

SUNNY-SIDE UP BY CYNDI STIVERS Eight years after Scapja- cc, Michelle Pfeiffer and Al Pacino teamed up again for Garry Marshall's Frankie and Johnny, a love story that revolved around a Manhattan diner. "Garry directs a movie much like you would make a stew," says Pfeffer. "He sort of puts everything in the broth, whether it be having five of his friends on the set every day--or in the movie--or changing this line and throwing in that.".

CIAO, BELLA BY JOHN CLARK During the critical storm over Jungle Fever, Annabella Sciorra was in the suburbs shooting The Hand That Rocks the Cradle, a psychological thriller about a woman, Sciorra says, with "a seemingly idyl lic life in a seemingly idyllic town with a seemingly idyllic family." Her concerns about being typecast in hard-edged urban films seem to be unfounded: "I'm not getting any scripts to play New York people.".

SEAN PENN BITES BACK BY CHRISTOPHER CONNELLY To Sean Penn, who makes his writing and di-recting debut this fall with The Indian Runner, his new calling has the advantage of relative anonym-ity. "Your name's on the screen for a bit, and then you're out of it," he says. "Even those who'd love to put a knife in your back Torget that you're involved--if you do good work. And if you don't, you deserve everything you get.".

JOE COOL BY SUSANNA SONNENBERG It's been a dream year for Joe Mantegna, who's been in films directed by Francis Ford Coppola and Woody Allen and this fall will appear in Barry Levinson's Bugsy and David Mamet's Ho-micide. "1 don't expert to have years like that all my life," says Mantegna. "ln a way, I was upset that Alice and Godfather III were lumped togeth-er so close. I couldn't savor each one.".

SPECIAL SECTION PREMIERE'S ULTIMATE FALL PREVIEW Ab the haves chasse and the days get shorter, it's time to look at this season's films--sontething the studios did a whilc ago. "There's always anxi-ety," says Tri-Star chief Mike Mvdavoy. "You're trying to 3SSCSs people's tastes 2 year from now," lnevitably, executiVes look at what worked recently. Problem CHILD was probably evem more influential thai, Moine Alone," says another exec, "because it was bad and still made money.".



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