Issue Date: August 1980; Volume 46, Issue 457
IN THIS ISSUE:-
This description copyright Edward D Peyton. Any un-authorized use of this description is strictly prohibited.
FRONT COVER: A large detail of Flood Tide, by Maurice Harvey, 1978, acrylic on Canvas, 24 x 36. Collection Mr. and Mrs. R. Winsted.

KENNETH EVETT PAINTS ON LOCATION by M. Stephen Doherty. The editor of American Artist accompanies Evett on a painting outing in Ithaca, New York. Color step-by-step photos of the work in progress and the completed painting are shown along with Evett's description of his procedures and materials.

JOHN MANNING'S VOCABULARY OF IMAGES by Jeanne Mackin. This upstate New York artist, who is currently director of the Munson-Williams-Proctor Institute in Utica, New York, discusses his painting methods, his limited subject matter, and his career.

THE PAINTINGS OF JOSEPH AND JUDY RAFFAEL by Helga Epstein. This California couple discuss their artwork and lifestyle. Both RaffaeIs' paintings--Joseph's shimmering oils and Judy's subtle watercolors-- radiate an inner "life energy.".

ARTIST IN RESIDENCE: JUDITH BROWN by Richard Horn. Horn takes the reader on a "walking tour" of sculptor Judith Brown's Greenwich Village, New York, studio/gallery/apartment. Successfully adapted from a commercial space, the studio meets her specific needs for both comfort and function.

THE MYTHICAL VISIONS OF ARVYDAS ALGMINAS by John Williams. Lithuanian-born Algminas shares his attitudes about painting and teaching and the methods he uses to create his bold, colorful canvases.

THE WATERCOLOR PAGE: FRAN LARSEN. In a step-by-step demonstration, Michigan artist Larsen shows how she uses an airbrush and a mixture of watercolor and gouache to achieve various effects.

MAURICE HARVEY: LANDSCAPES WITH REMNANTS OF THE PAST by Diane Casella Hines. Locomotives and artifacts from the Old West provide the essential subject matter for this southern California landscape painter. His translations of the past into acrylics and oil reveal the discipline of a varied career.

LOOKING AT PAINTINGS with Bernard Dunstan.
FOOTNOTES. LETTERS.
PROFESSIONAL PAGE by Betty Chamberlain.
TEACHNICAL PAGE by Ralph Mayer.
FORUM: How Does Photography Relate to the Traditional Visual Arts? by Cornell Capa.
ART BOOKS. EXHIBITS. GALLERY HAPPENINGS. ART MART. BULLETIN BOARD.
This description copyright Edward D Peyton. Any un-authorized use of this description is strictly prohibited.